The Core Theme - Knowledge and the Knower
Lesson 1 - Who is the Knower? (Scope 1)
Before we ask what knowledge is, we need to ask who is doing the knowing and how they got that way.
You already know a great deal. But how much do you know about the knower behind all that knowledge, the self that is doing the knowing? And how much of what you think you know about yourself as a knower was actually decided for you, long before you walked into a TOK classroom?
THE PROVOCATION
Where did your education put you?
By the time you reach the IB, your education has already told you which kind of knower you are. TOK begins by asking whether it was right.
“The dogmas of the quiet past are inadequate to the stormy present...
We must disenthrall ourselves.” Abraham Lincoln
This is my website and these are my lessons. This is me. It is important that I say that from the beginning because a lot of the choices I am going to make - about what questions to ask, which authors to quote and which films I think you should watch - are just my choices. Like most TOK teachers I didn't study TOK at school and as far as I know you can't study IB TOK at university, and other than a two day course, locked in a room with other prospective IB TOK teachers I have never been trained to do this. What is clear is that I have been very influenced by certain authors in how I think about TOK. Two of the most infuential writers I want to refer to here: Ken Robinson and Howard Gardner.
Ken Robinson spent decades researching what happens to human creativity and intelligence as people get educated. His answer is uncomfortable: school happens to children whether it helps them learn or not. This is not because teachers are bad or curricula are badly planned, but because every school system encodes a hierarchy of knowledge, a ranking of which kinds of intelligence matter and which do not, and students absorb that ranking so completely that by adulthood most of them have concluded that the abilities schools did not value are not really abilities at all. The hierarchy is remarkably consistent across cultures. At the top: mathematics and language. Below them: the sciences and humanities. Lower still: the arts. Near the bottom: drama, dance, music. The assumption built into this ordering is that some ways of thinking are more valuable, more serious, more “knowledge-like” than others. By the time students reach the IBDP Diploma, they have spent twelve years being told, implicitly, which kind of knower they should be. Robinson borrows Lincoln’s word: disenthrall. We are enthralled - hypnotised - by ideas we have never chosen to examine. The idea that intelligence is one thing, measurable on a single scale, is one of those ideas. The idea that academic performance is the best proxy for intelligence is another. This TOK course begins with the task of disenthralling ourselves from these assumptions not because they are entirely wrong, but because you have probably never properly examined them.
Ken Robinson - Do schools kill creativity?
TED
Robinson led a UK government commission on creativity and education (1998) and gave what became the most-watched TED talk in history on how schools kill creativity. His central argument is that every child is born with enormous creative intelligence, but formal education systematically narrows it by privileging linguistic and mathematical ability above all other forms of knowing. Out of Our Minds (2001, revised 2011) is his account of why this matters and what to do about it.
'There is more than one way to know'
Howard Gardner, Intelligence Reframed (1999)
In 1983, the psychologist Howard Gardner proposed something that seemed obvious once said: there is not one kind of intelligence, but at least eight. Linguistic. Logical-mathematical. Musical. Spatial. Bodily-kinesthetic. Interpersonal. Intrapersonal. Naturalist. Each is a genuine cognitive capacity that can be developed, and each shows up in different people with different degrees of strength.
I remember exactly where I was on my teacher training course when I first encountered this, and why it landed so hard. Teachers are, almost without exception, people who succeeded in school. They were rewarded by the system, went further into it, and eventually returned to deliver it to the next generation. What they repeat, largely unconsciously, are the methods that worked for them - and what they value, again largely unconsciously, is the intelligence profile that the school system validated in themselves. The student who thinks in words and numbers, who sits still and works alone, who performs well on timed written tests: that student is recognisable to most teachers because that student, in some version, is them.
Gardner's eight intelligences made the rest of the room visible. The student who thinks spatially, who understands through movement, who reads other people with uncanny precision, who hears structure in music before they can name it - these are not lesser versions of the linguist or the logician. They are different modes of knowing, each with its own standards and its own tools. The school system's decision to treat two of the eight as "intelligence" and the rest as "talent" is not a neutral fact about human cognition. It is a choice about what counts as knowing - and it is a choice worth examining before you accept its verdict on yourself.
Five big ideas about you the knower.
Big idea 1 - You are not a neutral observer
Is it possible to know something without bringing yourself to it?
“...into every act of knowing there enters a passionate contribution of the person knowing what is being known, and that this coefficient is no mere imperfection but a vital component of his knowledge.”
Michael Polanyi, Personal Knowledge (1958)
There is a powerful idea in modern Western thought that the ideal knower is detached, objective, impersonal, a scientist who observes without feeling, a judge who reasons without bias, an historian who reports without perspective. The philosopher and chemist Michael Polanyi spent his career arguing that this ideal is not only unrealistic but incoherent. Polanyi noticed that real scientists are not following reason. Real scientists also exercise judgment, taste, and intuition. They have a feel for which problems are worth investigating and which lines of evidence are significant. Polanyi calls this the “personal coefficient” of knowledge. He does not mean that knowers are irrational or emotional. He means that knowing is something you do with your whole self: your curiosity shapes what you look for; your aesthetic sense shapes what you find elegant; your commitments shape what you are willing to accept. Strip all of that out and you do not get purer knowledge. You get no knowledge at all.
If there is no view from nowhere, if every act of knowing is situated and shaped by a particular person in a particular time and place, then understanding who the knower is becomes a fundamental question about knowledge itself, not just about the psychology of the person doing the knowing.
Big idea 2 - You are not a neutral observer
Is it possible to know something without bringing yourself to it?